With Jon Tidey
Jon Tidey is a Vancouver based freelance audio engineer, blogger for REAPERBlog.net, cohost of the Home Recording Show Podcast, and cool dad. Follow him at epicsounds.ca, or on Twitter / Facebook / Instagram – @theaudiogeek
1 – What was the hardest concept for you to grasp as a developing engineer, and what helped you finally understand it?
Jon: I had an intense year of audio engineering school back in 2006, the stuff I learned there didn’t really make sense until I started trying it out. You can read or be told something a hundred times but you don’t really get it until you try it for yourself a few times. Things like mic positions, compression, mid-side processing, even getting a balanced mix, gotta put the time in to really learn and understand it.
These days there are so many learning resources from magazines, online courses, forums and YouTube. It’s great but you need to put the effort in to do it yourself.
2 – As a podcaster, blogger, youtuber, and user of many types of social media, do you feel you could do what you do in todays music industry without it?
Jon: It’s hard to imagine a time before Twitter, and Facebook but I was blogging back in 2007 and I relied much more on traffic from google and forums and those are still important today. All this stuff takes time away from family, education, and real work. It’s easy to waste hours on social media in a day without it actually benefiting your business, or mind.
These days it’s great that we (content creators) can get instant feedback on our stuff but there’s also a lot more things fighting for attention at the same time. Things come and go so quickly online and I think a lot of people click like on posts without reading them, clicking through to your site and no one benefits from that.
Jon: Short answer:
Slip editing rocks. It’s faster with more natural sounding results. I listen to music or podcasts while I chop then do a final listen to check for glitches, make final adjustments, glue and send to the client. No snap to grid, no buggy transient detection algorithms, no time stretching.
I was trained to use Beat Detective in school and got pretty good at it. Then Elastic Audio was added to ProTools and I used that for a bit. I started my site Beatfixx.com and started editing for other engineers, producers and indie artists. I ended up buying the production toolkit for ProTools LE so I could have multitrack beat detective which really did sound better than Elastic Audio but was still very frustrating to use.
Eventually I was shown some editing tricks in REAPER that was totally different to what I was used to but much faster, cleaner and less hard on the system. Basically I split the grouped drum tracks when I click near a transient, it auto crossfades, then I drag the contents of the clip to line up with the grid.
Jon: I’d be lost without REAPER as my DAW. I can do so much more with less. I could go on and on but that would just be repeating what I’ve said on over 200 articles on my site reaperblog.net
5 – What is the most valuable lesson you had to learn the hard way?
Jon: You know I don’t think I’ve ever fucked up too bad any project that I couldn’t fix in some way.