What Happens At The -18 “Sweet Spot”?

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Common advice is to “gain stage” your tracks by calibrating them to -18. People often leave out whether they mean -18 dBFS or -18 dBVU, both of which would yield vastly different levels depending on the source material. But why choose a calibration point to begin with? Here’s Matthew Weiss from The Pro Audio Files describing the differences between VU … Read More

Why I Don’t Care About Accurate Analog Modeling.

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Plugin manufacturers are on a never ending quest to develop the holy grail of plugins…the perfect digital model of a classic analog piece that everyone in the industry embraces as the most accurate, bar none. This is admirable in that it pushes the technology further and further, and now we have top tier mix engineers like Andrew Scheps and Jack … Read More

Gain Staging: What to know, & why you shouldn’t stress too much about it!

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  FULL TRANSCRIPT BELOW: There’s a lot of emphasis placed on the importance of gain staging within the audio community, and while it is important to understand, it’s also exaggerated as the lynchpin between a good mixer and a bad mixer. Personally I would argue that monitoring is a much higher priority, so lets spend a few moments discussing what … Read More

Mix Breakdown: “Blue” by Patric Talbot

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Today, I decided to push into new territory and mix a bluesy jazzy number. This was done purely for mix practice, not for a client. The song was “Blue” by Patrick Talbot, which you can download and mix yourself from the Cambridge Site. In this post, I wanna walk through my process on this mix. We’ll start with mix prep. … Read More