How To Strengthen DI’s Played With A Weak Picking Hand


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For the metal engineers. There’s a lot of hate for it, and a common belief that you can’t get a ballsy metal guitar tone if rhythm guitarist is picking softly. This causes the transients to have less attack. When a rhythm guitarist picks really hard into a high gain amp, the tone has a sharper transient. This extra strong transient … Read More

Review: Transgressor by Boz Digital Labs


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Recently Boz Digital Labs released Transgressor, which is a transient designer that allows you to eq the transient and the sustain separately. This plugin seems like it was created with my workflow in mind, so when I got the chance to get a review copy I was stoked! Let me explain.   I tend to avoid compression for transient shaping. … Read More

Why I use Expanders on DI’s.


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Picture 1. In the first picture, you’ll see 4 colored bands on the analyzer. The red band is the noise floor of my interface, and it’s reading down around -110dbfs. The dark orange band at the very bottom is where the expander is pushing that noise floor to, down around -170dbfs. I usually use HoRNet Track Utility to bring the … Read More

Dancing Angels – From idea to finished mix!


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One of my latest mixes, which you may have heard by now, is “Danging Angels” from Project DIVIDE! It’s not been officially released yet on iTunes, but you can check it out on our youtube page here. This one was fun as hell! I wrote the music on my iPhone using NanoStudio one day while waiting outside of a doctors … Read More

3 Reasons Why Pre-Production Is Essential


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(This is a guest post from Steve Perrino of Compass Audio in Akron Ohio) Most musicians agree that there is a huge difference between your live show and your recordings. There is a lot of energy in a live performance due to volume and visuals, but there are certain things that you need to do in a recording to bring … Read More