(This article is not discussing how audio levels impact plugins, or what happens at an output leading to a d/a converter. This article is discussing the linear behavior of audio passing between channels within our DAW.) What you’re seeing in the picture: Going Up Taking a test tone, calibrated to -18dbfs Boosting that test tone to +762db of gain above … Read More
New (To Me) Plugins I’ve Been Using That I Recommend
It’s not the tool, it’s the user. But as a blogger and content creator, I get to play with a lot of cool tools. Here’s a few of them that I highly recommend checking out. 1. The Plugins From My Walkthroughs. Obviously anything from my recent product videos, and not just because I did the product walkthrough. Boz Digital Labs’s … Read More
In this 3 part series, I discuss ADHD friendly workflow strategies for audio engineers. But why the focus on ADHD? It’s been said that those with ADHD can be excellent at spotting ways to improve efficiency. As someone who lives with ADHD, I’ve often looked for ways to reducing the mental energy necessary to complete a given task. This has … Read More
This post discusses workflow strategies that are very ADHD friendly, devised from my own research into managing my adult ADHD. If you don’t have ADHD, you should stick around and read anyway. It can be said that the non-linear thinking of the ADHD brain is well suited at enhancing workflow due to the structures and systems we tend to put … Read More
Reference Tools, Compared
Reference tracks can be a valuable tool for keeping an objective viewpoint while mixing. When you listen to a reference track, you get a chance to reset your ears. If you’ve been listening to your mix for hours, your ears are getting used to the frequencies you’re hearing. Problem areas or frequency imbalances may not jump out at you as … Read More
Understanding Drum Sample Libraries.
From bedroom producers, to the top brass mixing engineers with multiple grammies, there are a lot of people who use drum samples in their mixes. Joey Sturgis is famous for using Kick 10 from Steven Slate Drums in many of his productions (although now Joey Sturgis has his own sample library on the market called Drumforge), and Randy Staub used … Read More
Why I use Expanders on DI’s.
Picture 1. In the first picture, you’ll see 4 colored bands on the analyzer. The red band is the noise floor of my interface, and it’s reading down around -110dbfs. The dark orange band at the very bottom is where the expander is pushing that noise floor to, down around -170dbfs. I usually use HoRNet Track Utility to bring the … Read More
How To Lift Reverb Tails With Bass Rider!
In this video, I demonstrate a cool trick for lifting up the reverb tails of a snare drum reverb plate using Bass Rider! This trick can help the reverb tail cut through the mix. The song in this video is “Dead Enemies” by “Dark Ride”, and the multi-tracks are available for free on the Cambridge “Mixing Secrets” Free Multi-track Download … Read More
Multiband Metal Bass: Creating Custom Multiband Chains
In this video, I demonstrate how to create a custom multiband chain using a 3 band crossover. In this specific example, I’ll be splitting a bass into 3 bands, and processing each of those bands with a combination of Bass Rider, saturation, eq, and dynamic ducking around the drums. The song in this video is “Dead Enemies” by “Dark Ride”, … Read More
How To Add Q-Clone To A Toolbar In REAPER
So a while back, when I first got Q-Clone, I was trying to wrap my head around how it worked. Bear in mind that Waves wouldn’t touch REAPER with a 10 foot pole at the time, and I was worried that I’d bought a plugin that I wouldn’t be able to use in REAPER (like Sound Shifter). I hit up … Read More
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